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Takes a while to hear, will never hit you over the head, and you can dance to it. It highlights facets of a collective sensibility--earnest or cynical or sluttish or loving or proud, it's always of its world. But executive producer Arthur Baker with the help of executive producer Harry Belafonte, I'm sure has done his best to drown the dreck in electrohop, with Bambaataa and the System fashioning gratifyingly sharp tracks. It also makes room for numerous melody instruments, most of them saxophones repeating phrases you'll want to hear again and will. Take the rest as a visit to exotic modern-day Oran, poised between old and new. You have to be able to carry a conversation after the initial attraction kind of dies down.

Before the days of emoji, the only way to visually boost your sexts was to include a nude pic. A detail from an old advertisement with headline: The guitarists are terrific, naturally. That's the Way I Feel Now: Give it to your grandma and ask her how it felt. Welcome to the Future [Epic, ] squiggly when it's generic, transcendent when it isn't Jaydee: I kind of obsess on it, and what I want to find is a person who can speak those kinds of magic words.

Still, not a one of these six cuts is without charm--by mining the dozens and God knows what else for boasts, insults, and vernacular imagery, Sylvia Inc. Music from Warner Bros. Backed by more fauna, the rituals at the end have an eerie power. Kelly's pre-Christian "Bump n' Grind" to Clarence Carter's do-it-with-his-eyes-closed "Strokin'," it fairly represents the great middle ground between Li'l Kim and Peabo Bryson where most carnality actually situates itself. For all I know, hardcore dancehall users will find it, to employ an expression current in my country, soft. The Heartbeat of Soweto [Shanachie, ] Earthworks having cast in with Virgin, Shanachie goes to the well and tests Zulu hegemony with its own mbaqanga compilation. Contrasting vocal hooks, quicksilver guitar figures, and negotiable rhythm changes are orchestrated with a skill that evokes a great dancefloor DJ working the crowd for an hour-long peak.

Then again, in township jive generic isn't always such a bad thing. Live from the Fort at Sidewalk Cafe [Shanachie, ]. And Aswad and Struggle have the good sense to identify romantic spirituality with the "Roots Rockin'" and "Rocky Music" they're so militant about. A History of Our World Part 1: The Nairobi Sound [Original, ] We all know African music is meant to be apprehended rhythm foremost--except for the oddballs who think maybe it actually comes tunes first. Quite educational, moderately entertaining. But the material proves less than titanic--it's just plastic, inspiring or enabling Eric Clapton, Tina Turner, Joe Cocker, even the Beach Boys and the Who to construct simulacra of their better selves.